Midnights Cover

On October 21st, Taylor Swift released her newly anticipated tenth studio album, Midnights. She described it as “the stories of 13 sleepless nights scattered throughout [her] life,” establishing it as her most personal album to date. Before the release, Swift went to TikTok to promote and reveal the tracklist using a bingo spinner, which generated massive amounts of publicity for the album. Swift dropped the initial 13 tracks at midnight, of course; However, she secretly released 7 more songs at 3 am, dubbing them “3 am tracks.” The album consisted of the following songs:

  1. Lavender Haze
  2. Maroon
  3. Anti-Hero
  4. Snow On The Beach (feat. Lana Del Ray)
  5. You’re On Your Own, Kid
  6. Midnight Rain
  7. Question…?
  8. Vigilante Shit
  9. Bejeweled
  10. Labyrinth
  11. Karma
  12. Sweet Nothing
  13. Mastermind
  14. The Great War
  15. Bigger Than The Whole Sky
  16. Paris
  17. High Infidelity
  18. Glitch
  19. Would’ve, Could’ve, Should’ve
  20. Dear Reader

I could review each song individually, but that would take ages. Instead, I will say that each song discusses an anecdotal experience or emotion of Swift’s, ranging from love, anxiety, revenge, and insecurity. The lead single of Midnights, “Anti-hero,” delves into Swift’s deepest self-loathing insecurities. She repeatedly describes herself as “the problem,” and portrays various forms of self-hatred, such as her eating disorder, narcissism, and depression.

Honestly, I was disappointed with the contents of this album. The publicity of Midnights was so intense and engaging so it gave me high hopes. I did not enjoy the production, sorry Jack Antonoff. It was too synthetic for me and lacked the depth needed to establish uniqueness. With many tracks on Midnights, I felt as if I had heard them before on her previous albums. There were barely any differentiating factors, which decreased my overall enjoyment of the project. However, I thoroughly adore tracks like “Lavender Haze” and “Mastermind” because they have nuance and the production does not fall flat. I am quite disappointed about not fawning over the entire work, but I did appreciate parts of Midnights and recommend that everyone give it a listen.