Michael Crichton’s film Looker dives into the uncanniness of human replication. However, what captured my attention was the fact that the replicating was done digitally, rather than physically. Mannequins, dolls, and automatons are more popular examples of uncanny body doubles. Yet I found that the digital double is by far more uncanny than others. Looker revolves around commercial actresses and their devotion to having the “perfect” look. One of the very first scenes of the film is Lisa, an already beautiful woman, asking Dr. Larry Roberts to perform plastic surgery on her. The uncanniness about this is the fact that Lisa brought a list of her supposed imperfections, down to the spacing of her cheekbones, eyes, etc. Later in the film we find out that these measurements are results of computer generated models. The digitization of bodies is by far more uncanny because it is more precise. Also, the digital replication does more than a mannequin, doll, or even automaton could do. Like we see in the Looker, one of the model’s digital double is able to act out emotions in commercials. The issue with this, however, is that only the women with perfect measurements were replicated, creating a false illusion.